I've recently been listening in some detail to the more structurally complex Beatles songs such as Happiness is a Warm Gun and the Abbey Road medley (You Never Give Me Your Money/Sun King/Mean Mr Mustard/Polythene Pam/She Came In Through The Bathroom Window/Golden Slumbers/Carry That Weight/The End). This has been greatly aided by Alan W Pollack's Notes, particularly his very detailed analysis of the Abbey Road medley.
The Beatles really were amazingly disciplined while being amazingly creative when they had their shit together. The Abbey Road medley contains a series of songs (more than just the named ones) that could each have been developed into workable songs in their own right, but the guys were just overflowing with ideas and keen to try new forms after all the years of fairly straightforward songwriting.
Paul's inherent sense of the catchy tune coupled with John's playful technical and structural hacks just blow me away. Every additional listen brings out new details. This may seem a rather academic exercise but I would recommend it to any music lover, particularly those who like music with deep structure but appreciate pop.
Next one to look at will be Paul's Boutique by the Beastie Boys, possibly the best hip-hop album ever. For this I will be aided by Brad S Benjamin's excellent analysis.
We got home from Glastonbury last night and wow, was it a great festival! Musical highlights were Ozomatli's brilliant, energetic morning set on the Pyramid Stage and Asian Dub Foundation's lively set. Billy Bragg, REM, Lemon Jelly and The Delgados were all good.
Of course, Glastonbury is about more than music. The vibe was great. Very relaxed and friendly. Weather was brilliant. A bit of rain on Friday morning and then blazing hot the rest of the weekend. Perfect!
I'll have some photos up once I get photos developed.
Sub Bass Snarl (and Kerrii) arrive in town tomorrow. They're playing on Sunday night. I finally managed to get details out of them. Apparently playing on laptops these days, due to problems with equipment earlier in the tour.
Moon Palace @ The Strong Rooms
120-124 Curtain Road
(nearest tube Old St.)
special live guests:
dDamage (planet ?u/tsunami addiction)
Crunch (mas) dex and laptop set
Sub Bass Snarl (Australia)
This Thursday night, a Bastard Pop experience at Asylum, corner of Charlotte Street "under the newsagent" apparently. Featuring Aussie pop mangler dsico.
This year's Meltdown is being curated by Lee "Scratch" Perry and the lineup looks a doozy! According to NME it includes Public Enemy, Tortoise, Michael Franti and Spearhead, DJ Spooky, Linton Kwesi Johnson, Asian Dub Foundation and Ozomatli. Ooh ooh ooh!
Annoyingly, some of the acts clash with Glastonbury again, just like last year. Fortunately it's only Asian Dub Foundation and Ozomatli who are both strong rumours for Glastonbury anyway.
I wonder if there's a ticket to the whole festival?
In case you haven't heard, dsico does crazy mad cut-up pop shit. Currently I'm listening to his remix of Joy Division's Love Will Tear Us Apart with Missy Elliot's Get Your Freak On. Yes that does sound bad but here's the rub, it actually works. So without further ado, go to the site and download some examples.
Apparently, coming to London this Summer.
Yeesh, tickets to this year's Glastonbury Festival have sold out, 24 hours after going on sale. That's 112,500 tickets or about 78 a minute. I guess I can forgive them for having a slow website yesterday morning.
Fortunately we managed to get some and it sounds like Liwood House and Jules did too. Hope everyone else who was planning on going got theirs!
The rumours are pretty good: Sigur Ros, Jurassic 5, Asian Dub Foundation, REM, Moloko. Cool! Regardless of the eventual lineup, last year's lineup was pretty crap but we had an amazing time. Just being camped in a field with 100,000 people is pretty amazing in itself.
A colleague at work brought in the new Asian Dub Foundation album on CD today for me to have a listen. This album was one of those albums on the "buy without even listening first" list, but I hadn't got around to buying it yet.
So I stick the CD into my computer and to my surprise it starts installing software and demanding I reboot the computer. This is a Windows machine here at work. I killed the player application it installed and opened my usual CD playing software, but it couldn't actually see the audio CD. That's because this CD isn't actually an audio CD.
In fact, it's a Copy Control "enhanced" CD. This means it's not recognised as an audio CD by computer drives, DVD players, games consoles and the like. Instead it should work on ordinary CD players, but nothing else.
For Windows users, a crappy little player application is included which plays back bad digitised versions of the tracks on the album. The player app is appalling, cutting out at the slightest amount of system load and sounding like a scratched CD. Even worse, the quality of the digitised versions is shitful and of course I won't be able to play the CD on any other platform, such as Linux.
So instead of buying this album which, as I said, is on my list of "must buy" CDs, I'll probably end up downloading it off the net. My that sure is an effective strategy to stop people downloading instead of buying!
About the only thing you can do is, perhaps, buy the CD and return it as faulty because you can't play it. You might have to argue with the clerk, but you have every right to return it. You are entitled to a refund, not just an exchange, if the goods are not fit for purpose, at least in Australia. More information is available at the Campaign for Digital Rights.