Dance music's sexiest forty-something has come out with a rather... different album this time around. It's kinda like Joni Mitchell or Tori Amos in parts, with the occasional Sergeant Peppers flick. Weird.
Its not unpleasant, but it's a bit dull. Holly likes it. I initially wasn't sure and kept listening, hoping something would jump out. It didn't. So while I don't dislike it, it just doesn't have anything to hook me.
If you're expecting stomping high-camp techno romps, you'll be disappointed.
I hope this doesn't mean her live shows will end up being much more serious. Girls in bikinis with moose antlers and horsey tails. Now that's a live show!
According to Metacritic I'm something of a minority with my opinion here. Then again, I think Radiohead are one of the most tediously derivative acts ever. Yet I love the stuff they're derived from, like King Crimson. And Radiohead have sold a few records. Then again, so has Delta Goodram.
Seventh Tree is bound to ruffle a few electro-feathered fans, but's no denying it's a venture that sets the pair into new experimental territory.
NME
Goldfrapp have shed the sex-Moroder-robot-Bolan-fuck-disco like a used condom and re-tooled themselves as a whimsical psychedelia and pastoral folk outfit for the disappointing Seventh Tree.
cokemachineglow
Seventh Tree, though in some respects an organic redrafting of the autoerotic Goldfrapp template, picks up where Supernature left off in its setting of the controls for the heart of the mainstream, and misses badly the slickly subversive tone that lifted the band from the realms of coffee table mediocrity.
Drowned In Sound